Acclaim // Nov 09 2016

Particularly affecting, both musically and dramatically, was Akhnaten and Nefertiti’s duet in Act II. Slowly emerging from the wings in scarlet robes with long trains, Anthony Roth Costanzo and J’Nai Bridges sang elegantly of their love. As in the “Liebestod” from Tristan and Isolde, it became a moment outside time, a mystical glimpse into the beyond. Costanzo has the classic countertenor’s eerie celestial sound, well-suited to the role, and Bridges’s rich mezzo blended with his voice so well that it felt like listening to the folk tradition of blood harmony – that singular sound of close relatives singing together, which creates a sort of aural shimmer.

Seen and Heard International